Thanks for attending Roy Samuelson’s Keynote…

Accessibility Camp Coeur d’Alene 2025

“Beyond Compliance: Crafting Audio Description That Audiences Feel”

Here’re some takeaways, a downloadable PDF
(text from the PDF follows download link)


I’m so grateful you joined me for this session, and for the intention you bring to building a world where more people can belong.

This handout above (and text below) includes highlights and takeaways from today’s keynote, along with a few reference links.

I hope these insights support the way you connect, be it across differences, or under pressure; but always with heart.

Audio description goes beyond movies and TV to share meaning. And when we describe what we see with care, we’re including.

Thanks again for showing up in the work you continue to do. As you’re part of something bigger, the work you do matters. Let’s keep building access through belonging.


TAKEAWAYS

1. Accessibility, at it’s core, is connection

Watching a show with my blind friend after he lost his sight reminded me: we weren’t just accessing a program, we were maintaining our bond. We were still “us.”

2. Emotional connection is accessibility

Renee didn’t ask, “What’s happening?” She asked, “How does it feel?” That’s the difference between information and immersion.

3. The focus is on the story, not on you

If I do my job well in AD, you forget I was ever there. You’re inside the scene, not noticing the narrator, but feeling the story.

4. Only focus on what actually helps people follow, feel, and stay with you

Like Mark Twain said, “I didn’t have time to write a short letter, so I wrote a long one instead.” In AD, we light a candle, not flood the room.

5.  When the door won’t open… sometimes you build your own

When IMDb deleted my credits, I built my own database in a coffee shop. That act of visibility became ADNA.

6. Giving credit changes the conversation

Instead of “That show had AD,” people now say, “Did you hear so-and-so’s narration?” Like knowing the drummer’s solo in a great song.

7. Instead of adversarially fighting, find the win / win approach

A voice actor who loved album art became known for describing it to blind audiences. Her niche became her connection point.

8. Look at the role in a different way

When a blind writer led the AD for an Oscar nominated film, I became her visual asset aggregator. She didn’t need to see it; she led, focusing on what mattered.

9. Find leaders in other fields, and see how their contributions can align with accessibility

A film director friend saw how AD transformed his storytelling. It shifted how he now creates content, even for sighted audiences.

10. Awareness can spill over to so many other areas of accessibility

Once you get it, you get it. It’s a mindset shift.

11. With a little patience and working with others, things can come together

The push to include AD performers in the Television Academy took time, but collaboration (and timing) made the impossible happen.

12. Make space for voices and the whole experience gets better

A QC specialist caught a name error we all missed. Her lived experience didn’t just check boxes, it made the work better for everyone.

13. Your job doesn’t demand you narrate perfectly; it asks you to connect clearly

In AD, cold reads demand clarity in chaos. The goal isn’t polish; it’s presence, pacing, and emotional truth.

14. Talk with your visuals

If you’re narrating over every slide, your voice competes with your screen. Sync your rhythm. Let your message land where it belongs.


LINKS FROM KEYNOTE

Database of AD professionals in Film and TV

HTTPS://theADNA.org

Podcast The ADNA Presents

https://TheADNA.LibSyn.com

Audio Description Discussion Facebook group

https://www.facebook.com/groups/AudioDescriptionDiscussion

TV Academy Qualifications To Join Includes AD

https://www.televisionacademy.com/academy/organization/peer-groups/performers

Netflix Audio Description Requirements, Including Writer’s Credit

https://partnerhelp.netflixstudios.com/hc/en-us/articles/215510667-Audio-Description-Style-Guide-v2-5#h_01GZ23VTS4KSB9AN0X2A83RQVP 2.6 AUDIO DESCRIPTION CREDITS


American Council of the Blind’s Keynote Speech, 2020


Possibilities Trailer


Audio Description Awareness Day

https://AudioDescriptionAwarenessDay.com


Roy’s Book:
A Voice Actor’s Guide To Audio Description Performance

A Voice Actor's Guide To Audio Description Performance cover page: Crafting Immersive Entertainment Experiences for Blind Audiences. by Roy Samuelson is handwritten. Within a box, text reads "Reaching out from a dark vortex, a hand offers and over-the-ear headset. A speech bubble hovers near one earpiece, displaying the AD logo (the letters A and D, followed by three end parentheses), ending with a large exclamation point.
roysamuelson.com/book

Click for Executive Intent Design


Click for More on Audio Description


A video answer to “What is AD?” (From 2024 Comic Con…)


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About Roy…

Roy Samuelson is an author, audio description producer and performer, and an inclusion consultant with over a decade of experience bringing emotional resonance to visual media. He’s produced and performed thousands of TV shows and films, and now teaches companies how to apply those same storytelling skills to their communication. His work bridges access and artistry, helping organizations move beyond compliance to connection. Roy’s mission is to ensure that when people are included, they also feel like they belong.


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